55. The Cold Blooded Moon
...being some thoughts on Bob Dylan, pop star poets, the moon, and the men who have been there.
It was 2016 when Bob Dylan was awarded the Nobel Prize in Literature “for having created new poetic expressions within the great American song tradition.” It was quite a shock to many, me included. It was the first time that a musician and songwriter had won the award since its inception in 1901. It was worth a lot of cash to him, well over half a million pounds in todays money. Irvine Welsh summed up a lot of people’s feelings with his characteristic swagger… -
"I'm a Dylan fan, but this is an ill conceived nostalgia award wrenched from the rancid prostates of senile, gibbering hippies."
There were plenty of others who thought it was a brilliant Idea though, feeling that Bob could comfortably take his place on a list which includes figures such as T.S Eliot, George Bernard Shaw, Albert Camus and Ernest Hemmingway - as well as Winston Churchill.1
Perhaps Irvine Welsh was just jealous that he wasn’t considered, a bit like me. Not that I would expect to receive the Nobel prize in Literature - not just yet anyway - but I do feel that if they had decided to make a statement by giving it to a pop star, then they would have been better to choose that funny looking fellow out of Sparks (the one with the moustache) or at least David Bowie.
Dylan, like Hendrix, was slightly too early for my tastes, I never quite got him, but I understand that plenty of people did. Maybe one day, I will grow up sufficiently to appreciate his stuff, but then again - maybe not. I still get a bit excited when Showaddywaddy come on the radio.
I do recall Ian Parkes being enthused by Dylan’s award, and there being quite a discussion in the Read to Write group about pop star poets. Leonard Cohen was mentioned and I think that I mumbled something about Marc Bolan and maybe Lou Reed too, before we took a look at a 1978 Bob Dylan piece - “Changing of the Guards”. Here’s a verse
The cold-blooded moon, the captain waits above the celebration sending his thoughts to a beloved maid whose ebony face is beyond communication the captain is down but still believing that his love will be repaid
Even after searching online for explanations of what it is about, I still don’t really get it.
At the end of the session, Ian suggested that, as homework, we each try to write a piece of poetry based on the line “The cold-blooded moon.” I quite liked that line despite the fact that I had no idea how it related to the song as a whole. Was the cold blooded moon the captain? Or was the captain waiting above a moonlit celebration? Was the moonlight not bright enough for him to see the beloved maid’s ebony face properly and therefore it was impossible to guess at her feelings? No - I really couldn’t make head nor tail of it. I decided to concentrate just on the single image of “the cold-blooded moon” and forget about the rest of the lyrics and the problem of trying to get to grips with what Dylan might have been rattling on about.
There are plenty of great songs that contain lyrics about the moon. Not just the ones who want to rhyme it with June and Spoon either. In my humble opinion, Mike Scott out of the Waterboys should have been awarded some sort of laureateship for the lyrics to his 1985 song “The Whole of the Moon”
I pictured a rainbow You held it in your hands I had flashes But you saw the plan I wandered out in the world for years While you just stayed in your room I saw the crescent You saw the whole of the moon
My favourite Moon lyric would be Gill Scott Heron’s “Whitey on the Moon”2 which was released in 1970. Admittedly it is not actually a song, but poetry. However, he regularly performed his work alongside a band of accomplished Jazz musicians and was perhaps better known as a musical performer than a traditional poet. Whitey on the Moon contrasts the lunar landings of the late sixties with the poverty suffered by many black people in America at the time.
A rat done bit my sister Nell With whitey on the moon Her face and arm began to swell And whitey's on the moon Was all that money I made last year For whitey on the moon? How come I ain't got no money here? Hmm! Whitey's on the moon Y'know I just 'bout had my fill Of whitey on the moon I think I'll send these doctor bills Airmail special To whitey on the moon
In 2012, one year after his death, Scott Heron received a Grammy Lifetime Achievement Award for his work. Bob Dylan had already received the accolade, some fifteen years earlier.
I was still eight years old when whitey first stepped on the moon. At least I thought that it was a white man. The television images were inconclusive - you couldn’t really tell on the fuzzy pictures that we received on our ancient cathode ray set, particularly as his face was hidden behind the giant helmet that he wore whilst bouncing around on the surface. Some of my mates at school were convinced that it was Louis Armstrong. I had seen Louis Armstrong’s photograph on the cover of one of my Dad’s budget prices LP records, so I was certain that he wasn’t white.
It was thrilling to me as a small boy to know that people had actually travelled to the moon, whatever colour they might have been. I wanted to be an astronaut when I grew up. I remember my grandmother telling me that, when I was a man, space travel would be commonplace and I would be able to choose which planet I wanted to go to on holiday every year. At the time it seemed so possible and so exciting. The future was going to be brilliant, with Captain Kirk and Mister Spock boldly going where no man had gone before, accompanied by people of all races and nations, including the glamorous Lieutenant Uhura, who was like Diana Ross, but an expert in science who had an impressive command of intergalactic languages thanks to the device that she kept in her ear. Think about that, Bob Dylan - Her ebony face certainly wasn’t beyond communication, and if her captain was ever down, he was soon up again and righting wrongs throughout the entirety of the galaxy.
Sadly, the future I was promised as an eight year old still hasn’t materialised. So far, we haven’t got any further than the Moon, and all that we found when we went there was an inhospitable chunk of grey rock. A cold-blooded Moon. A place which, like the rest of space, and vast areas of the Earth is almost impossible to survive in. Even exploring somewhere as simple as a Scottish hillside can be fatal for the reckless or ill prepared. We may love and admire the beauty of environments like the Moon or the Cairngorms but they don’t have emotional attachment to us. They have been around for millennia before us, and will be around for millennia after us too. They are cold-hearted, cold-blooded, uncaring, unfeeling places. Timeless and majestic. We pale into insignificance compared to them.
The Cold Blooded Moon
The cold-blooded moon gazes down with an indifferent eye through blue skies of day and black skies of night Serene and unblinking, Unfeeling, unthinking Undisturbed even when, more than half a century ago through great effort a handful of hot-blooded men paid it a few brief visits The cold-blooded moon remains unchanged and impassive whist, here below change comes so quickly that the past seems unrecognisable, so slowly that it hardly seems like change at all Here, hot-blooded men posture and pontificate Taking credit for the change they like Apportioning blame for the change they don’t. Joy and suffering Profit and loss Life and death all come and go stirring pride or indignation in the hearts of hot-blooded men whilst there’s only indifference in the eye of the cold-blooded moon
Churchill got it “for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values”
I added a link to a modern remix of Whitey on the Moon, with footage of Gill Scott Heron mixed with images from the current day. It is well worth a look, even if you don’t normally click on the links that I put in these articles.
A most enjoyable and fascinating Sunday morning read.....
Quite a stirring piece, bound to set off some strong opinions. Not me, I'm on the fence, Mr Polite. That award thing though, just shows how society behaves in tiers; the elders/wealthy/stupid in charge while twenty-somethings and associated age groups rant on about how people a messing things up. Perhaps they have to wait a few decades to realise that wizened invisible, sarcy old gits once burned their bras and underpants in the vain hope they could manage what Luddites and Chartists didn't accomplish.
Paul Simon helps here, saying 'every generation throws a hero up the pop-chart'. It reflects the cultural roll-over that only makes sense to a given group of people for a short time. For further example, Dylan and Hendrix made a damn sight more sense to me than Showaddywaddy of Bowie: the difference between artistry and selling records with shallow schmalz. Which or course upsets fans of the latter, who might respond with insult about the health of their elders. Your turn next, luvvies:)
The point is that that's why we don't really get what's gone before (so quit wittering or shouting abuse at me, which ever). I can't really get why my parents liked the quickstep or the gay Gordons. Not least when in the latter case they had enough Gael/Celt in them to make Billy Connolly look like the flat Hills of Tyree or whatever that joke was.
It's a conflicting verse, the captain, the bir - sorry maid and and the moon. It could almost be a mesogenistic view of the moon - as a cold woman. Many lyrics in the 'frree love' ouvre were just blokes wanting a shag. Oddly we (blokes) can get obssessed. That's why we're so ugly... But I think it's more the cold the captain feels being outside her orbit (oo snazzy). Above the celebrations is perhaps (and I might be wrong but seldom am) a reference to a view from the bridge - a common captainesque location - whereas on the decks (pop, fore etc) is where they strike up tunes and h-harr their way through buckets o rum n stuff.
I recall reading something about "Whitey's on the moon" that predates the rap/funk thing (I did go to the link). But as to who deserves any award - well, it depends who's giving the accolade. Do we not shun institutional back-slapping? See The Beatles and the OBE. Tricky. Debate igniting. I mean, I'd love to be on telly, be the wild one on Norton's couch. But would I clap crap music and say 'well done' or would I be true to self and say "It just needs a melody and some lyrics". More chance of a city break on t moon. Thanks Mike, I enjoy my Sunday reads muchly. And of course my Sunday yapyapyapyap....